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Unlike most shooting scenes, this depictions was more casual. Suspense was created as the music grew eerie while she walked through the lightly wooded area to find Gaear shoving his partner in crime through a wood chipper, however, when the shots were fired, Marge did not seem to think much of the event. She steadied her hands and pulled back the trigger with a very realist attitude. The camera angles played a large part in reducing the shock of the shooting while still managing to provide Marge with enough authority to justify the bullets. Specifically, when she has already fired the bullets and is walking toward Gaear Grimsrud, the camera is farther away but it has to aim slightly upward in order to capture her step down the embankment. During the scene, the camera rests at a low angle to increases her size to grant her more authority than a shot taken eye level to convey equality, or a shot from a high vantage point to make her look unintimidating.
Yes, Fargo was an odd movie and yes, the accents were a bit much, but all in all, the film served its purpose via wise camera angles combined with a thoughtful script that successfully with human emotions of all sorts.
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