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{"id":3061,"date":"2019-10-10T06:36:27","date_gmt":"2019-10-10T10:36:27","guid":{"rendered":"http:\/\/digitalmedia.cosmicthings.com\/?page_id=3061"},"modified":"2019-10-10T06:36:30","modified_gmt":"2019-10-10T10:36:30","slug":"quiz-1-stats","status":"publish","type":"page","link":"https:\/\/digitalmedia.cosmicthings.com\/quiz-1-stats\/","title":{"rendered":"Quiz 1 Stats"},"content":{"rendered":"
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1. Which type of film style\u00a0deliberately\u00a0\u00a0distorts and stylizes reality, calling attention to the filmmaker, himself.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
Classical<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Formalistic<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Realistic<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

2. Placing a camera in such a manner as to anticipate the movement of an action before it occurs is known as …<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
letterboxing<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
anticipatory set ups<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
cropping<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
aspect ratio<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

3. The art of motion is called\u00a0<\/strong><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
panning<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
dissolve<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
loose framing<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
choreography<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

4. Realism in film emphasizes:<\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
narrative fragmentation<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
authorial intrusion<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
basic life experiences<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Computer generated effects<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

5. A shot that begins with a close view of the subject and then withdraws to reveal a larger context is called a<\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
process shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
dissolve<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
swish pan<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
pull-back dolly shot<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

6. This style of film represents functional story-oriented films and encompasses the majority of\u00a0\u00a0films.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
Classical<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Formal<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Realistic<\/td>5<\/strong> times selected \/ 63%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

7. Mise En Scene refers to :<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
making things appear random within a scene.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the relationships of organisms within a frame<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the technique of blocking out a portion of a movie image.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the manner in which scens are framed and photographed within the frame<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

8. A shot taken from a mechanical “arm” is a :<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
dolly shot<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
aerial shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
crane shot<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
hand-held shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

9. Which device tends to reduce the importance of a subject? <\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
high-angle shot\t<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
bird’s-eye view<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
cool colors<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
subsidiary contrast<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

10. This style of film is objective,\u00a0has minimum distortion of the story and does not call attention to any one style.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
Classical<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Formal<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Realistic<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

11. True or False: Aspect ratio can change from scene to scene in a film.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t13%<\/strong> \/ 1<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
False<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
True<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

12. Musical, Horror, Comedy and Romance all refer to a film’s _____________.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
mood<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
convention<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
framing<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
genre<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

13. Classical cinema<\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t63%<\/strong> \/ 5<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
employs loosely organized plots.<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
subordinates plot and character to social themes.<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
avoids the extremes of realism and formalism.<\/td>5<\/strong> times selected \/ 63%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
sacrifices entertainment value to explore moral issues.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

14. Cinema derives from the Greek word for<\/span>\r\n\r\n <\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
genre<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
seeing all<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
pattern<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
movement<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

15. This shot is taken from a long distance and is also know as an establishing shot<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
long shot<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
extreme long shot<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
full shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

16. The following can be said about formalists in framing film scenes:<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t63%<\/strong> \/ 5<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
formalists never call attention to their own style<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
time and space is unaltered <\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Beauty before content<\/td>5<\/strong> times selected \/ 63%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
The subject matter is most important<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

17. The over-the-shoulder shot involves <\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t63%<\/strong> \/ 5<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
one person in close up.<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
two people, one of whom has his\/her back to the camera.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
three people with the camera moving from person to person.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
none of the above.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

18. Movement of the camera that scans the scene horizontally is called a<\/span>\r\n\r\n \r\n\r\n <\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
zoom<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
lateral shot<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
panning shot<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
transitional shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

19. This shot barely keeps the entire length of a figure in full frame<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
extreme long shot<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
long shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
full shot<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

20. To show a person has dominance in a film you would place them ( more than one answer may be required)<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
the top of the frame<\/td>7<\/strong> times selected \/ 54%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the edge of the frame<\/td>1<\/strong> times selected \/ 8%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the bottom of the frame<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
in the center of the frame<\/td>5<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

21. Oblique-angle shots tend to suggest<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
tension, transition, and impending movement.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
security and domination.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
tediousness and insignificance.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
power, stability, and fate.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

22. When a person is framed on the left or right edge of a scene it usually indicates that <\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
that person is insignificant <\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
that person is vulnerable<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
that person is dominant<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
that person is important<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

23. The 3 visual planes of a frame in any video are:<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
widescreen, television & standard<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
intimate distance, personal distance , & public distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
foreground, mid ground & background<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
closed form, open form & tight frame<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

24. For most filmmakers, the favored position to photograph an actor is <\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t13%<\/strong> \/ 1<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
full front.<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
quarter turn.<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
half turn.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
back to camera.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

25. The longer and higher the shot, the \u00a0the movement appears\u00a0<\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
faster<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
slower<\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
more intimate<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
more threatening<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

26. Which shot captures objects at close, medium and long ranges all at the same time?<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
deep focus<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
full shot<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
wide-angle<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

27. Moving a camera back and forth between two actors having a conversation in known as <\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
tight framing<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
open form<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
personal distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
panning<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

28. Fading out of one shot into another is known as<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
dissolve<\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
freeze frame<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
animation<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
pull back dolly<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

29. The \u00a0cinematographer can smoothly move through and photograph a set or location without shaking or bobbing with the use of a\u00a0<\/span>\r\n\r\n <\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t25%<\/strong> \/ 2<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
steadicam<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
dolly<\/td>5<\/strong> times selected \/ 63%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
crane<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
tripod<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

30. An iris is<\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t13%<\/strong> \/ 1<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
a special blue light filter.<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the focal point in classical composition.<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
a powerful wide-angle lens.<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
a circular or oval mask that can open up or close in on a subject.<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

31. A type of movie that has depth and breadth with a sweeping sense and lots of action is what type of film?<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
comedy<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
epic<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
romance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
mystery<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

32. Which of the proxemic patterns would be used to shoot a scene in a crowded airport.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t63%<\/strong> \/ 5<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
public distance<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
intimate distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
personal distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
social distance<\/td>4<\/strong> times selected \/ 50%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

33. If I wanted to put \u00a0a person in a frame to show he was vulnerable, where would I place him.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
off to the side<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
in the center<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
at the bottom <\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
at the top<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

34. The area near the top of the frame is conventionally used to suggest <\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
power, authority, and aspiration.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
fear, anxiety, and acrophobia.<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the unknown, the fearful, and the unseen danger.\t<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
subservience and vulnerability. <\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

35. The phenomenon we experience from instantly mixing \u00a0several still photos being projected at the same speed<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t50%<\/strong> \/ 4<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
animation<\/td>5<\/strong> times selected \/ 56%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
mimesis<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
virtual reality<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
persistence of vision<\/td>4<\/strong> times selected \/ 44%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

36. Which camera angle is used to evoke a sense of anxiety or tension?<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
bird’s eye view<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
eye-level<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
oblique<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

37. Which proxemic pattern would be used to film a scene in Office Space<\/em> where 5-10 actores are gathered in a boardroom.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
intimate distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
social distance<\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
personal distance<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
public distance<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

38. Moving the camera back and forth between two people speaking to one another is an example of .<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t88%<\/strong> \/ 7<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
panning<\/td>7<\/strong> times selected \/ 88%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
masking<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
loose framing<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
open form<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

39. The area of an image that immediately attracts our attention is called <\/span><\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
balanced composition.\t<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
high key.<\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
dramatic contrast. <\/td>1<\/strong> times selected \/ 13%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
the dominant.<\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

40. This rate of motion is filmed at a faster \u00a0frame per second then slowed down in post.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t75%<\/strong> \/ 6<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
slow-motion<\/td>6<\/strong> times selected \/ 75%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
fast-motion<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
reverse-motion<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
freeze frame<\/td>2<\/strong> times selected \/ 25%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

41. A shot taken from the vantage point of a character showing what he sees is a<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
Pull Back Dolly shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Setup shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
swish-pan shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
point-of-view-shot<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

42. This shot would be \u00a0made from a drone or helicopter<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t100%<\/strong> \/ 8<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
crane shot<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
aerial shot<\/td>8<\/strong> times selected \/ 100%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
Swish pan<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
tilt<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

43. This type of lighting which is bright and light has been used in comedies.<\/h3>\n\t\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
Answer or metric<\/th>Value<\/th><\/tr>\n\t\t\t
Number and % correct answers<\/td>\n\t\t\t38%<\/strong> \/ 3<\/strong> correct answers from\t\t\t8<\/strong> total answers received <\/td><\/tr>\n\t\t\t
high key<\/td>3<\/strong> times selected \/ 38%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
high contrast<\/td>5<\/strong> times selected \/ 63%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>
low-key<\/td>0<\/strong> times selected \/ 0%<\/strong> <\/td>\t\t\t\n\t\t\t<\/tr>\t\t<\/table>\n\t\t\n\t\t\t\t\t

44. In the clip below, which framing method was used to create the scene?\r\n\r\n